Scary Ordinary

There are still things to be sorted out in the show. Tapi (2005), a vertical line of white circles filled with mossy green resin, just doesn't have enough going on. The same goes for Range (2005), a grid of orange-and-green-tipped cones that are even pointier than Madonna's Jean Paul Gaultier bra. The starkness of the individual elements and the rigidity of the grid they're displayed in create a work that feels cold and clinical.

If you're making sleek, space-age, minimalist work like this, there's always a danger of it becoming too sterile or too design-focused. But Fleming has some good stuff going on overall and has managed to avoid these pitfalls in most of the show. There's a great energy to his constant experimentation with forms, and his increased focus on how to present them is making his work stronger.